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The Supreme Mathematician (Jesus Christ) led me to another major discovery, which actually ties the first 19 Fibonacci numbers to the very foundation of Biblical Numerics (Genesis 1:1) even further. The Fibonacci number series naturally entails a process of TWO'S whereby we take any number in the series and add it with the previous number to get the next in line (and on to infinity). Using the same logic of "summing by two's", I was able to crack another numerical code that unites Genesis 1:1 with the first 19 Fibonacci numbers. When we take the digits that make up the Genesis 1:1 word values and sum their order as TWO digit integers, we get the sum of the first 19 PRIME NUMBERS (568):
Here is what is interesting about 568 - it gives you the five angles found within a perfect five pointed star.
I am using what's called "prime factorization sums" to get the columns and rows. After that, I am just cross multiplying. Then adding the values to get the sums in the columns and rows.
0, 72, 144, 216 (or 576 minus 360 degrees, a full circle), and 288.
You also, coincidentally, end up with the approximate radius of the moon in miles, 1080. That also happens to be the number of degrees if you went around a circle 3 times (or 360 x 3).
2368 and the first nineteen Fibonacci numbers, and prime factorization
2368 can be obtained by adding all the prime factorization numbers from F(2) to F(19). If F(1) is included, the number is one away. But - if you were to consider that God is 1 (the Lord is One), then you would have the Father (1) and the Son (2368).
F(0) = 0
F(1) = 1
--------
F(2) 1 = 1
F(3) 2 = 2
F(4) 3 = 3
F(5) 5 = 5
F(6) 8 = 2x2x2
F(7) 13 = 13
F(8) 21 = 7x3
F(9) 34 = 2x17
F(10) 55 = 5x11
F(11) 89 = 89
F(12) 144 = 2×2×2×2×3×3
F(13) 233 = 233
F(14) 377 = 13x29
F(15) 610 = 2×5×61
F(16) 987 = 3×7×47
F(17) 1597 = 1597
F(18) 2584 = 2×2×2×17×19
F(19) 4181 = 37×113
I am just adding up every number on the right side, all the prime factors from the beginning to the end.
Try pronouncing the three words and see how similar they sound. How is that possible?
Note on wikipedia: Similar to the Set animal in Egyptian mythology and the Qilin in Chinese mythology.
Possible comparison to similar animal in Chinese "mythology":
Pg 6. Shanhaijing
Name
In the Ojibwe language, this creature is sometimes called Mishibizhiw, Mishipizhiw, Mishipizheu, Mishupishu, Mishepishu, Michipeshu, or Mishibijiw, which translates as "Great Lynx", or Gichi-anami'e-bizhiw ("Gitche-anahmi-bezheu"), which translates as "the fabulous night panther". However, it is also commonly referred to as the "Great underground wildcat" or "Great under-water wildcat." It is the most important of the underwater animals for the Ojibwa.
Description
Pictographs of a mishibizhiw as well as two giant serpents and a canoe, from Lake Superior Provincial Park, Ontario, Canada. Attributed to the Ojibwe.
In mythologies of the indigenous peoples of the Great Lakes, underwater panthers are described as water monsters that live in opposition to the Thunderbirds, masters of the powers of the air. Underwater Panthers are seen as an opposing yet complementary force to the Thunderbirds, and they are engaged in eternal conflict.
The underwater panther was an amalgam of parts from many animals: the body of a wild feline, often a cougar or lynx; the horns of deer or bison; upright scales on its back; occasionally feathers; and parts from other animals as well, depending on the particular myth. Underwater panthers are represented with exceptionally long tails,: occasionally with serpentine properties. The creatures are thought to roar or hiss in the sounds of storms or rushing rapids.
Mishipizheu were said to live in the deepest parts of lakes and rivers, where they can cause storms. Some traditions believed the underwater panthers to be helpful, protective creatures, but more often they were viewed as malevolent beasts that brought death and misfortune. They often need to be placated for safe passage across a lake. As late as the 1950s, the Prairie Band of Potawatomi Indians performed a traditional ceremony to placate the Underworld Panther and maintain balance with the Thunderbird.
When ethnographer Johann Georg Kohl visited the United States in the 1850s, he spoke with a Fond du Lac chief, who showed Kohl a piece of copper kept in his medicine bag. The chief said it was a strand of hair from the mishibizhiw, and thus considered extremely powerful.
This is symbolic of a llama, but notice the similarity in artwork. For comparison, some mongolian dragons representative of the two dragons battling in the Chinese constellations.
Machu Picchu Etymology
In the Quechua language, machu means "old" or "old person", while pikchu means either "portion of coca being crunched" or "pyramid, pointed multi-sided solid; cone".[15] Thus the name of the site is sometimes interpreted as "old mountain".
Used to be called Patallacta (Quechua expression that expresses 'city on high'), also known as Q'entimarka (city of hummingbirds) is an archaeological site located in Cusco, in the Inca Trail route. The complex is located in the Cusco region, Urubamba province, Machu Picchu district.
The story of Jonah - what is the relationship between a dragon and a whale?
What is the signficance of a whale and a dragon? Were whales and sea monsters part of ancient myths? What about fire and air and it's apparent connection to the breath of life? Could ancient people have building hot air balloons? Is this art depicting Chinese systems of belief? How do you explain the Nazca lines? Is it all documented in artifacts and ignored and suppressed? Is it just that some people remain ignorant of different cultures? So many more questions.
Shangdi (Chinese: 上帝; pinyin: Shàngdì; Wade–Giles: Shang Ti), also written simply, "Emperor" (Chinese: 帝; pinyin: Dì), is the Chinese term for "Supreme Deity" or "Highest Deity" in the theology of the classical texts, especially deriving from Shang theology and finding an equivalent in the later Tian ("Heaven" or "Great Whole") of Zhou theology.
Although in Chinese religion the usage of "Tian" to refer to the absolute God of the universe is predominant, "Shangdi" continues to be used in a variety of traditions, including certain philosophical schools, certain strains of Confucianism, some Chinese salvationist religions (notably Yiguandao) and Chinese Protestant Christianity. In addition, it is common to use such term among contemporary Chinese (both mainland and overseas) and East Asian religious and secular societies, typically for a singular universal deity and a non-religion translation for God in Abrahamic religions.
"Shang Di" is the pinyin romanization of two Chinese characters. The first – 上, Shàng – means "high", "highest", "first", "primordial"; the second – 帝, Dì – is typically considered as shorthand for huangdi (皇帝) in modern Chinese, the title of the emperors of China first employed by Qin Shi Huang, and is usually translated as "emperor". The word itself is derived from Three "Huang" and Five "Di", including Yellow Emperor (Huangdi 黃帝), the mythological originator of the Chinese civilization and the ancestor of the Chinese race. However, 帝 refers to the High God of Shang, thus means "deity" (manifested god), .[2] Thus, the name Shangdi should be translated as "Highest Deity", but also has the implied meaning of "Primordial Deity" or "First Deity" in Classical Chinese. The deity preceded the title and the emperors of China were named after him in their role as Tianzi, the sons of Heaven. In the classical texts the highest conception of the heavens is frequently identified with Shang Di, who is described somewhat anthropomorphically. He is also associated with the pole star. The conceptions of the Supreme Ruler (Shang Di) and of the Sublime Heavens (Huang-t'ien) afterward coalesce or absorb each other.
pervigil ecce draco iquamis erepitantibus horrens
Latin for:
awake, behold, a dragon, shivering with bursting forth from the ice
The term "the kingdom of God" appears 69 times in the Bible (KJV).
Aeon (Time), Gaea (Earth) and the four Carpi (Fruits) of the seasons are grouped in a familial scene. The god of time stands holding a wheel inscribed with the twelve signs of the zodiac. Gaea (Roman Tellus), crowned with a wreath of fruit, reclines upon the earth. Their four children, the fruits of the seasons, sit beside their mother. They are, from left to right, Eiar (Spring), Theron (Summer), Phthinoporon (Autumn) and Cheimon (Winter).
The Wǔfāng Shàngdì (五方上帝 "Five Forms of the Highest Deity"[note 1]), or simply Wǔdì (五帝 "Five Deities") or Wǔshén (五神 "Five Gods") are, in Chinese canonical texts and common Chinese religion, the fivefold manifestation of the supreme God of Heaven (天 Tiān). This theology harkens back at least to the Shang dynasty. Described as the "five changeable faces of Heaven", they represent Heaven's cosmic activity which shapes worlds as tán 壇, "altars", imitating its order which is visible in the starry vault, the north celestial pole and its spinning constellations.[note 2] The Five Deities themselves represent these constellations. In accordance with the Three Powers (三才 Sāncái) they have a celestial, a terrestrial and a chthonic form. The Han Chinese identify themselves as the descendants of the Red and Yellow Deities.
They are associated with the five colors, the five phases of the continuous creation, the five key planets of the Solar System and the five constellations rotating around the celestial pole, the five sacred mountains and five directions of space (their terrestrial form), and the five Dragon Gods (龙神 Lóngshén) who represent their mounts, that is to say the material forces they preside over (their chthonic form). They have also been defined simply as five special forms of the worship of the God of Heaven, different "accesses" or perspectives, suitable for different situations, to serve Heaven.
According to Zheng Xuan, the influence of their activity begets different categories of beings on earth. Explaining the ancient theology about the origins of kings from Heaven's impregnation of earthly women, he commented:
王者之先祖, 皆感大微五帝之精以生 — Every ancestor of him who is the king was given birth to as the result of an influential movement [gǎn 感] made by the spirits of the Five Deities.
...In reality, the "serpent" that tempted Eve was probably not a "snake" — at least, not the kind you're imagining. Per Aleteia, the Hebrew word used in Genesis was nahash. This translates broadly to "serpent," but was also used to describe powerful Biblical creatures like giant sea monsters. Thus, it's quite possible the serpent in the Garden was a terrifying creature more like a dragon than a snake, which would help explain why Adam and Eve felt so compelled to obey his commands.
Chinese Guardian Lion or "Fu dog"
This is the seed of life, symbolic of genesis and creation. Why is it here under a dragon's paw?
The Sphinx is likely a mixture of the two creatures, a lion and a dog, much like the Fu dog statue found in many Chinese gardens and was probably the animal originally found in the story of Genesis - a story that likely comes from ancient Chinese philosophy. (If you don't see the dog yet, it's because you may be missing part of the story. Read on.)
The Sphinx stands in judgement in front of the Great Pyramid (Anubis the dog god lead to the development of St. Michael).
The winged serpent/snake symbolism also probably leads to the numerous statements of "I am the beginning and the end, the first and the last". It's also why the snake in the story ended up crawling on its belly - because it was really a winged dragon to begin with and its wings were taken away. The dragon later appears in Genesis and is defeated at the end in Revelation.
The God in the Old Testament, if I had to guess, is probably a Chinese god of chaos, for example Hundun. It explains why this God was very vengeful, kicked people out of paradise, and flooded and drowned the world in the first few books. Of course, these did not happen in the physical world, this was happening in a spiritual, or unseen world.
In the Shanhaijing catalog, which does contain numerous references to actual (and not mythological creatures) is mentioned the Dijang, with a picture associated with hundun. The creature is essentially described as a red dragonfly- a four winged, six legged creature that is "faceless", with body like a leather bag and red.
The Shanhaijing catalog of tribes (and probably of stars and psyche of the human mind) also shows the Phoenix as a peacock.
The Chinese story in Genesis is really a philosophical/psychological concept about the infinite nature of people's minds and represents "The Way" or the concept of critical thinking. Somehow, along the way, this seems to have been largely forgotten.
