Q the Dragonflies, Numerology and a Masonic Key

The spiritual meaning of dragonflies is the light of God. It also means looking within and dancing – just like a dragonfly.

To a warrior and fighter, a dragonfly tattoo represents agility, power, speed, victory, and courage. It also symbolizes rebirth, immortality, transformation, adaptation, and spiritual awakening.

There are some interesting designs and geometric patterns found within the wing of the dragonfly. Not only can you find the Golden Angle 137.5 in the wings of the dragonfly, you can also find the golden angle in the Sunflower.

Watching these videos will teach a lot in a short amount of time about numerology, the Fibonacci sequence and other interesting numerology.

Dragonfly/Sunflower Numerologist Video

DaVinci Numerologist Video

Bee Numerologist Video


Omnia in Numeris Sita Sunt - Everything Lies Veiled in Numbers

Mason Code website

While the quality of this print is not the best, I found some interesting things about it. It appears to show 25 leaves about the scale on each side and 17 below. Those were two numbers I looked at in the past when I realized that on the back of the dollar under the Eagle is the 17 letter phrase "of the United States". The seal of the Eagle resembles the back of a quarter (25 cents). I noted that 17 + 25 = 42.

When you balance 17 and 25 (adjusting up or down by four), you arrive at 21. In Gematria Hebrew, that can reference "I am".

The total number of leaves in the picture appears to be 84, referencing the Gematria Hebrew value of "I AM THAT I AM".

The G in the middle (the 7th letter) is within a six pointed star. If each point represents 7, then you would have six sevens or 42. If each point of a triangle is 7, you would have three sevens or 21.

The up and down triangles could represent the elements of fire and water mixed, or air and earth - a representation of the hermetic principle of "as above, so below". ie. heaven and earth.

The Right Key?

How can we be sure that Agrippa’s key is the right key? Once again our Masonic writers confirm it for us. “William Stirling” drops a hint like a ripe plum on page 153 of The Canon when he likens the Greek Orpheus to Jesus Christ:

” . . . the name ΟΡΦΕΥΣ has the value of 1275 . . . in the earliest efforts of Christian Art, it is not uncommon to find Christos depicted playing upon a lyre in the fashion of Orpheus. No reason is known for this singular impersonation, but the number 1275, deduced from the name Orpheus, suggests the reason why the two gods had a similar identity.”

The number 1275 in no way suggests any reason why Christos should have a similar identity to Orpheus – at least not until we count the name ‘Jesus Christ’ by Agrippa’s code. If we do, we find the letter values of his name sum as: 600 + 5 + 90 + 200 + 90 + 3 + 8 + 80 + 9 + 90 + 100 = 1275. It is quite clear that “Stirling” is alluding to Agrippa’s code, and it is equally clear from the veiled nature of his reference that it must constitute an initiation secret of high degree Freemasonry.

Now we have the key, we can turn it – and begin to unlock the thesaurus of King Solomon’s Temple.

Orphéfs - (Orpheus; Gr. Ὀρφεύς, ΟΡΦΕΥΣ) – his common name.There is a strange story concerning the name of Orphéfs: "The ancients represent Orpheus as living during the time, and sharing in the Argonautic expedition. If we search for the origin of this fable, we must again have recourse to Egypt, the mother-country of fiction. In July, when the sun entered Leo, the Nile overflowed all the plains. To denote the public joy at seeing the inundation rise to its due height, the Egyptians exhibited a youth playing on the lyre, or the sistrum, and sitting by a tame lion. When the waters did not increase as they should, the Horus was represented stretched on the back of a lion, as dead. This symbol they called Oreph, or Orpheus, (from oreph, the back part of the head) to signify that agriculture was then quite unseasonable and dormant. The songs the people amused themselves with during this period of inactivity, for want of exercise, were called the Hymns of Orpheus ; and as husbandry revived immediately after, it gave rise to the fable of Orpheus's returning from hell. The Isis placed near this Horus, they called Eurydice, (from eri, a lion, and daca, tamed, is formed Eridaca, Eurydice, or the lion tamed, i.e. the violence or rage of the inundation overcome), and as the Greeks took all these figures in the literal, not in the emblematical sense, they made Eurydice the wife of Orpheus." (Bell's New Pantheon; or, Historical Dictionary of the Gods, Demi-Gods, Heroes, and Fabulous Personages of Antiquity, 1790; Vol. II, p.145)

HellenicGods.Org - Orpheus Names and Epithets

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